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Music & Letters is a leading international journal of musical scholarship, publishing articles on topics ranging from antiquity to the present day and embracing musics from classical, popular, and world traditions. Since its foundation in the 1920s, Music & Letters has especially encouraged fruitful dialogue between musicology and other disciplines. It is renowned for its long and lively reviews sections, the most comprehensive and thought-provoking in any musicological journal.

Publisher: Oxford University Press

Volume 83, Number 2, May 2002
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Performing Renaissance Church Music in Nineteenth-Century Germany: Issues and Challenges in the Study of Performative Reception
pp. 187-237(51)
Author: Garratt J.

The Music-Hall Cockney: Flesh and Blood, or Replicant?
pp. 237-259(23)
Author: Scott D.B.

The ‘Perestroyka’ of Soviet Symphonism: Shostakovich in 1935
pp. 259-274(16)
Author: Fairclough P.

An American in mldr?
pp. 274-279(6)
Author: Carter T.

Le fonti liturgiche a stampa della Biblioteca musicale L. Feininger presso il Castello del Buonconsiglio di Trento
pp. 279-281(3)
Author: Hiley D.

Music and Musicians in Renaissance Cities and Towns
pp. 281-283(3)
Author: Mateer D.

Our awin Scottis use: Music in the Scottish Church up to 1603
pp. 283-285(3)
Author: Ross D.J.

French Baroque Opera: A Reader
pp. 285-286(2)
Author: Howard P.

J. S. Bach's Great Eighteen Organ Chorales
pp. 286-287(2)
Author: Rose S.

The Langloz Manuscript: Fugal Improvisation through Figured Bass
pp. 287-289(3)
Author: Wilson G.

Carl Philipp Emanuel Bach: Dokumente zu Leben und Wirken aus der zeitgenössischen Hamburgischen Presse (1767–1790)
pp. 290-291(2)
Author: Wollenberg S.

The English Plainchant Revival
pp. 291-292(2)
Author: Hiley D.

Schubert durch die Brille. The Oxford Bicentenary Symposium 1997: Bericht
pp. 292-294(3)
Author: Gibbs C.H.

The Diaries of Giacomo Meyerbeer, ii: 1840–1849
pp. 294-300(7)
Author: Everist M.

Contribution à l'histoire sociale de la musique en France. Hector Berlioz et Edme-Marie-Ernest Deldevez: formation et insertion dans la société du XIXe siècle (1803–1897)
pp. 300-305(6)
Author: Bloom P.

Berlioz Remembered
pp. 300-305(6)
Author: Bloom P.

Hector Berlioz: Critique musicale, 3: 1837–1838
pp. 300-305(6)
Author: Bloom P.

L'Univers musical de Chopin
pp. 305-307(3)
Author: Goldberg H.

Brahms Studies 2
pp. 307-313(7)
Author: Musgrave M.

Johannes Brahms: Life and Letters
pp. 307-313(7)
Author: Musgrave M.

‘Manon’ de Jules Massenet ou Le Crépuscule de l'opéra-comique
pp. 313-315(3)
Author: Huebner S.

Jules Massenet: Thaïs. Dossier de presse parisienne (1894)
pp. 315-317(3)
Author: Pasler J.

Arnold Schönberg und sein Wiener Kreis: Erinnerungen seines Enkels
pp. 317-319(3)
Author: Brown J.

Revealing Masks: Exotic Influences and Ritualized Performance in Modernist Music Theater
pp. 319-321(3)
Author: Adlington R.

Echoes of History: Naxi Music in Modern China
pp. 322-324(3)
Author: Stock J.P.J.

Four-Voice Motets from the Motetti del fiore Series: Part II
pp. 324-326(3)
Author: Freedman R.

Italian Madrigals Englished (1590)
pp. 326-327(2)
Author: Wilson C.R.

Sacred Hymnes of 3. 4. 5. and 6. Parts (1615)
pp. 327-328(2)
Author: Wilson C.R.

Sinfonia Op. 6/2 D-Dur; Sinfonia Op. 6/4 B-Dur; Sinfonia Op. 6/5 Es-Dur
pp. 328-330(3)
Author: van Allen-Russell A.

Des Knaben Wunderhorn
pp. 330-333(4)
Author: Barham J.

Vocal Chamber Music
pp. 333-335(3)
Author: Dickinson P.

The Sea-Fairies, Opus 59
pp. 333-335(3)
Author: Dickinson P.

Façade Entertainments
pp. 335-338(4)
Author: Dickinson P.

Correspondence
pp. 338-344(7)
Authors: Hunter D.; Tirimo M.; Baldwin O.; Wilson T.; Seidel W.; Schweinhardt P.

Books Received
pp. 347-349(3)

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