Music and Letters

Editorial
pp. 1-2(2)

‘For Instruments not Intended’: The Second J. C. Bach Lawsuit
pp. 3-29(27)

Mozart's Publishing Plans With Artaria in 1787: New Archival Evidence
pp. 30-74(45)

Zola the Sower
pp. 75-105(31)

Johannes Ockeghem: Masses and Models. Fabrice Fitch
pp. 106-108(3)

Music Theory and Natural Order: From the Renaissance to the Early Twentieth Century Suzannah Clark, Alexander Rehding
pp. 108-111(4)

Music Theory in Seventeenth-Century England. Rebecca Herissone
pp. 111-113(3)

Lully Studies John Hajdu Heyer
pp. 113-114(2)

Jan Dismas Zelenka (1679–1745): A Bohemian Musician at the Court of Dresden. Janice B. Stockigt
pp. 115-117(3)

Die Chorwerke von Thomas Linley dem Jüngeren (1756–1778): Kompositorisches und biographisches Umfeld. Peter Overbeck
pp. 117-118(2)

Manuel García (1775–1832): Chronicle of the Life of a ‘bel canto’ Tenor at the Dawn of Romanticism. James Radomski
pp. 119-122(4)

The Cambridge Companion to Berlioz
pp. 123-128(6)
Author: Everist M.

The Life of Mendelssohn. Peter Mercer-Taylor
pp. 128-130(3)

The Cambridge Companion to Brahms; A Brahms Reader Michael Musgrave
pp. 131-135(5)

Gabriel Fauré: A Guide to Research. Edward R. Phillips
pp. 135-137(3)

Women Musicians in Victorian Fiction, 1860–1900: Representations of Music, Science and Gender in the Leisured Home. Phyllis Weliver
pp. 137-139(3)

The Poet and the Countess: Hugo von Hofmannsthal's Correspondence with Countess Ottonie Degenfele
pp. 139-141(3)
Authors: Birkin K.; Miller-Degenfeld M-T.

Stravinsky: The Rite of Spring. Peter Hill
pp. 141-144(4)

Elliott Carter ou Le temps fertile. Max Noubel
pp. 144-146(3)

Le Grand Tango: The Life and Music of Astor Piazzolla. Maria Susana Azzi Simon Collier
pp. 146-147(2)

Perspectives on Peter Maxwell Davies
pp. 147-151(5)
Author: Jones N.

Sound Figures. Theodor W. Adorno
pp. 151-153(3)

Reviving the Muse: Essays on Music after Modernism
pp. 153-156(4)
Author: Downes S.

Italia millenovecentocinquanta
pp. 156-158(3)
Authors: Fearn R.; Salvetti G.

Performing Live. Richard Shusterman
pp. 158-161(4)

Reading Pop: Approaches to Textual Analysis in Popular Music
pp. 161-164(4)
Author: Gloag K.

Cantigas de loor. Alfonso X el Sabio
pp. 164-166(3)

John Dowland Ayres for Four Voices. David Greer
pp. 166-167(2)

Songs with Theorbo (ca. 1650–1663): Oxford, Bodleian Library, Broxbourne 84.9; London, Lambeth Palace Library, 1041
pp. 167-168(2)
Author: Spink I.

John Eccles Semele: An Opera. Richard Platt
pp. 168-170(3)

Georg Philipp Telemann Twelve Trios. Steven Zohn
pp. 170-173(4)

Johann David Heinichen La gara degli Dei; Diana su l'Elba. Michael Walter
pp. 173-175(3)

Four Viennese String Quintets
pp. 175-177(3)
Author: Drabkin W.

Gustav Mahler ‘Das Klagende Lied’: Erstfassung in drei Sätzen (1880). Reinhold Kubik
pp. 177-180(4)

Erik Satie Parade: ballet réaliste en un tableau. Gilbert Delor, Ornella Volta
pp. 180-181(2)

Recipients of ‘Music & Letters’ Awards
pp. 181-181(1)

Books Received
pp. 184-185(2)