Home >> Early Music, Volume 36, Number 3
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Early Music is a stimulating and richly illustrated journal, and is unrivalled in its field. Founded in 1973, it remains the journal for anyone interested in early music and how it is being interpreted today. Contributions from scholars and performers on international standing explore every aspect of earlier musical repertoires, present vital new evidence for our understanding of the music of the past, and tackle controversial issues of performance practice.

Publisher: Oxford University Press

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Volume 36, Number 3, August 2008

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Editorial
pp. 357-358(2)
Author: Knighton, Tess

Pianos and harpsichords for Their Majesties
pp. 359-396(38)
Author: Latcham, Michael

The 1685 coronation anthem I was glad
pp. 397-408(12)
Author: Range, Matthias

On the trail of Purcells spinet
pp. 409-414(6)
Author: Mole, Peter

On a Roman polychoral performance in August 1665
pp. 415-434(20)
Author: Grampp, Florian Bassani

Marbriano de Orto (c.14551529): personal thoughts and some surprises
pp. 435-440(6)
Author: Davison, Nigel

Latin American Baroque: performance as a post-colonial act?
pp. 441-448(8)
Author: Baker, Geoff

All the world's a stage
pp. 449-451(3)
Author: Leach, Elizabeth Eva

Worshipping with William Byrd
pp. 451-452(2)
Author: Milsom, John

Courts and ceremony
pp. 453-455(3)
Author: Rodrguez, Pablo L.

The Baroque world through rose-tinted glasses
pp. 455-457(3)
Author: Irving, David R. M.

Italians at Dresden
pp. 457-458(2)
Author: Wollny, Peter

A calendar of Venetian opera
pp. 458-460(3)
Author: Timms, Colin

Five centuries of Spanish keyboard music
pp. 460-463(4)
Author: Koster, John

Clavichordium floreat
pp. 463-465(3)
Author: Knights, Francis

Musical riches of Valladolid Cathedral
pp. 465-468(4)
Author: Del Sol, Manuel

Treasures from Trent
pp. 469-470(2)
Author: Burn, David J.

Lute music for a princess
pp. 471-472(2)
Author: Crawford, Tim

Cavalli the performer
pp. 472-474(3)
Author: Schulze, Hendrik

Theatre music from Mozart's Vienna
pp. 474-476(3)
Author: Rushton, Julian

Medieval music, early and late, from France and Spain
pp. 477-478(2)
Author: Moody, Ivan

Illuminating Renaissance obscurities
pp. 478-482(5)
Author: Allinson, David

The spice of life
pp. 482-485(4)
Author: Robinson, Lucy

Intermedii, cantata and oratorio
pp. 485-487(3)
Author: Roche, Elizabeth

The versatility of German church music
pp. 487-490(4)
Author: Rose, Stephen

The challenge of Vivaldi
pp. 490-493(4)
Author: Talbot, Michael

French tragdie: Thse and Zoroastre
pp. 493-494(2)
Author: Sadler, Graham

Operas familiar and unfamiliar
pp. 494-498(5)
Author: Branscombe, Peter

Pick n mix: recent early music (ad)ventures
pp. 498-500(3)
Author: Knighton, Tess

Francesca McManus (19372007)
pp. 501-503(3)
Author: Harwood, Ian

Gilbert Reaney (19242008)
pp. 503-504(2)
Author: Knighton, Tess

Holy Week in Cuenca and the limits of religious music
pp. 505-506(2)
Author: Marn, Miguel ngel

Harmony of two worlds
pp. 506-507(2)
Authors: Paquette-Abt, Mary; Lowerre, Kathryn

Breaking into song
pp. 507-508(2)
Author: Colton, Lisa

Text, music and gender in the Middle Ages
pp. 509-510(2)
Author: Deeming, Helen

Forqueray father or son?
pp. 511-511(1)
Author: Miehling, Klaus

The two Scarlattis
pp. 511-512(2)
Author: Pagano, Roberto

Scarlatti and Iberian harpsichord making
pp. 512-512(1)
Author: Sloane, Carl

Mozart's Jenamy Concerto
pp. 513-514(2)
Author: Maunder, Richard

Abstracts
pp. 515-516(2)

Advertisers' Index
pp. 517-518(2)

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