Home >> Early Music, Volume 36, Number 1
Early Music logo Oxford University Press logo

Early Music is a stimulating and richly illustrated journal, and is unrivalled in its field. Founded in 1973, it remains the journal for anyone interested in early music and how it is being interpreted today. Contributions from scholars and performers on international standing explore every aspect of earlier musical repertoires, present vital new evidence for our understanding of the music of the past, and tackle controversial issues of performance practice.

Publisher: Oxford University Press

Related content
Volume 36, Number 1, February 2008

< previous issue | all issues | next issue >

Editorial
pp. 1-1(1)

Verie sweete and artificiall: Lorenzo Costa and the earliest viols
pp. 3-18(16)
Author: Bryan, John

Hearing John Brownes motets: registral space in the music of the Eton Choirbook
pp. 19-40(22)
Author: Fitch, Fabrice

George Kirbye's Clemens parody
pp. 41-50(10)
Author: Humphreys, David

Clefless notation, counterpoint and the fa-degree
pp. 51-66(16)
Author: Mengozzi, Stefano

Readings of poetryreadings of music: intertextuality in Josquins Je me complains de mon amy
pp. 67-80(14)
Author: Koutsobina, Vassiliki

Would Caccini approve?
pp. 81-94(14)
Author: Bass, John

How composers viewed performers additions
pp. 95-110(16)
Author: Jerold, Beverly

A musical monk of the 11th century
pp. 111-112(2)
Author: Barrett, Sam

Codices catalogued
pp. 112-114(3)
Author: Hornby, Emma

The grandeur of Seville
pp. 114-116(3)
Author: Noone, Michael

Popes, patrons and publishers
pp. 116-117(2)
Author: Hammond, Frederick

Musical regents
pp. 117-119(3)
Author: Carter, Tim

An English singing tutor
pp. 119-120(2)
Author: Rooley, Anthony

Vivaldi's flutes
pp. 120-122(3)
Author: Powell, Ardal

Scarlatti, father and son
pp. 123-125(3)
Author: Willis, Chris

The Chevalier de Saint-Georges
pp. 125-128(4)
Author: Irving, David R. M.

Campra and Lully: tragdie and comdie-ballet
pp. 129-131(3)
Author: Sadler, Graham

Flute music familiar and unfamiliar
pp. 131-133(3)
Author: Hadden, Nancy

Sonatas from Dresden and Denmark
pp. 133-135(3)
Author: Clark, Brian

The dilemmas of editing Bach
pp. 135-137(3)
Author: Butt, John

Polyphony from Castile and Catalonia
pp. 139-140(2)
Author: Moody, Ivan

Lutes and voices
pp. 140-142(3)
Author: Goodwin, Christopher

French Baroque chamber music
pp. 142-144(3)
Author: Thompson, Shirley

Varied Vivaldi
pp. 144-146(3)
Author: Talbot, Michael

Telemann revived
pp. 146-150(5)
Author: Cross, Eric

Bach cantata cycles
pp. 150-152(3)
Author: Irving, David R. M.

Handel: three operas and an oratorio
pp. 152-155(4)
Author: Roche, Elizabeth

Music for church, stage and salon
pp. 155-158(4)
Author: Branscombe, Peter

Scarlatti and the Portuguese connection
pp. 159-160(2)
Author: Doderer, Gerhard

The Shackleton collection
pp. 160-161(2)
Author: Hoeprich, Eric

The Med and Ren abroad
pp. 161-162(2)
Author: Schiltz, Katelijne

Beating the drum: the early timpani
pp. 163-165(3)
Author: Montagu, Jeremy

Celebrating the raising of the Mary Rose
pp. 165-165(1)
Author: Montagu, Jeremy

The challenge of Johannes Regis
pp. 165-166(2)
Author: Schmidt-Beste, Thomas

Francisco J. Garca Fajer, lo Spagnoletto
pp. 166-167(2)
Author: Montes, Beatriz

Figured bass in Forqueray
pp. 168-172(5)
Authors: de Goede, Thrse; Robinson, Lucy

Quite un-justa response
pp. 172-174(3)
Author: Duffin, Ross W.

Pasterwitz and Michael Haydn
pp. 174-174(1)
Author: Black, David

Abstracts
pp. 175-176(2)

Advertisers' Index
pp. 177-178(2)

< previous issue | all issues | next issue >

Marked list

Key

Free Content
Free content
New Content
New content
Open Access Content
Open access content
Subscribed Content
Subscribed content
Free Trial Content
Free trial content

Text size:

A | A | A | A
^ Back to top
Share this item with others: These icons link to social bookmarking sites where readers can share and discover new web pages. print icon Print this page