IngentaConnect Table Of Contents: Early Music

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Editorial
pp. 555-556(2)
Author: Knighton, Tess

Iconography in the history of the recorder up to c.1430—Part 1
pp. 557-574(18)
Author: Rowland-Jones, Anthony

Handel and the confus'd shepherdess: a case study of stylistic eclecticism
pp. 575-590(16)
Author: Cummings, Graham

Gottfried Finger's Christmas pastorellas
pp. 591-608(18)
Author: Rawson, Robert

A 41-cent emendation: a textual problem in Wheatstone's publication of Giulio Regondi's Serenade for English concertina and piano
pp. 609-618(10)
Author: Atlas, Allan W.

Infunde amorem cordibus: an early 16th-century polyphonic hymn cycle from Seville
pp. 619-638(20)
Authors: Jiménez, Juan Ruiz

The partbooks of a Florentine ex-patriate: new light on Florence, Biblioteca Nazionale Centrale Ms. Magl. XIX 164–7
pp. 639-646(8)
Author: Drake, Joshua F.

Reconstructing Tallis's Latin Magnificat and Nunc dimittis
pp. 647-658(12)
Author: Rice, Stephen

More on the Lambeth Choirbook
pp. 659-666(8)
Author: Bowers, Roger

Completing the picture: the importance of reconstructing early opera
pp. 667-682(16)
Authors: Frans,; Muller, Julie

Tallis in performance
pp. 683-692(10)
Author: Day, Timothy

After the party: Hildegard since 1998
pp. 693-695(3)
Author: Meconi, Honey

A guide to Willaert
pp. 695-696(2)
Author: O'Regan, Noel

The power of song?
pp. 696-700(5)
Author: Carter, Tim

The bear growls
pp. 700-702(3)
Author: Rose, Stephen

Eloquent bodies: humanist and grotesque dance
pp. 702-704(3)
Author: Thorp, Jennifer

Disclosing women's voices
pp. 704-706(3)
Author: Yelloly, Margaret

The earliest songbook in England
pp. 707-708(2)
Author: Colton, Lisa

Riches of organum
pp. 708-710(3)
Author: Yudkin, Jeremy

On editing Byrd
pp. 710-713(4)
Author: Rastall, Richard

The `famous organist' Vincent Lübeck
pp. 713-714(2)
Author: Hollick, Douglas

Rameau's galante orgy
pp. 714-716(3)
Author: Rosow, Lois

Renaissance polyphony
pp. 717-721(5)
Author: Williamson, Magnus

A century of English song
pp. 721-723(3)
Author: Milsom, John

Italian vocal music
pp. 723-725(3)
Author: Talbot, Michael

Varieties of Vivaldi
pp. 725-727(3)
Author: Holman, Peter

French harpsichord music
pp. 728-729(2)
Author: Chung, David

Death and the Mayerin: Germanic harpsichord music
pp. 730-732(3)
Author: Lehman, Bradley

18th-century Peru
pp. 732-732(1)
Author: Baker, Geoffrey

Recent recordings from the Classical period
pp. 732-734(3)
Author: Branscombe, Peter

18th-century Peru
pp. 732-732(1)
Author: Baker, Geoffrey

The fortepiano from Silbermann to Pleyel
pp. 734-738(5)
Author: Adlam, Derek

Howard Schott (1923–2005)
pp. 739-740(2)
Author: Cienniwa, Paul

Boris at Boston
pp. 741-743(3)
Author: Cienniwa, Paul

Baroque music in Faenza
pp. 743-744(2)
Author: Tasso, Giovanni

Italians in Spain
pp. 744-745(2)
Authors: Domínguez, José María

Intercultural contact
pp. 745-747(3)
Author: Woodfield, Ian

A correction
pp. 747-748(2)

The clarinet in England
pp. 749-749(1)
Author: Holman, Peter

Boccherini and the cello
pp. 749-751(3)
Author: Kory, Agnes

The clarinet in England
pp. 749-749(1)
Author: Holman, Peter

Cricket songs
pp. 749-749(1)
Author: Hund, Marianne

A new Internet Academy
pp. 751-752(2)
Author: Goldberg, Clemens

Howard Schott: a personal tribute
pp. 751-751(1)
Author: Pleasants, Virginia

Abstracts
pp. 753-756(4)

Annual Index
pp. 757-766(10)

Advertisers' index
pp. 767-768(2)