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Early Music is a stimulating and richly illustrated journal, and is unrivalled in its field. Founded in 1973, it remains the journal for anyone interested in early music and how it is being interpreted today. Contributions from scholars and performers on international standing explore every aspect of earlier musical repertoires, present vital new evidence for our understanding of the music of the past, and tackle controversial issues of performance practice.

Publisher: Oxford University Press

Volume 33, Number 3, August 2005
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Editorial
pp. 369-370(2)
Author: Knighton, Tess

Visual and poetic allegory in Bellerofonte Castaldi's extraordinary <it>Capricci a due stromenti</it>
pp. 371-392(22)
Author: Dolata, David

Point/counterpoint: Vicentino's musical rebuttal to Lusitano
pp. 393-412(20)
Author: McKinney, Timothy R.

Attributions to Giovanni Rovetta
pp. 413-424(12)
Author: Drennan, Jonathan

Musical offerings in the Renaissance
pp. 425-438(14)
Author: Wegman, Rob C.

Don Juan de Austria and the Venetian music trade
pp. 439-448(10)
Authors: Levin, Michael J.; Zohn, Steven

The Hanover orchestral repertory, 1672-1714: significant source discoveries
pp. 449-472(24)
Author: Albertyn, Erik

Performance practice of <it>recitativo secco</it> in the first half of the 18th century
pp. 473-494(22)
Author: Gutknecht, Dieter

Treble or soprano? Performing Tallis
pp. 495-502(8)
Author: Phillips, Peter

The birth of the orchestra
pp. 503-505(3)
Author: Holman, Peter

The one-to-a-part concerto
pp. 506-508(3)
Author: Manze, Andrew

A story of `A'
pp. 508-509(2)
Author: Johnstone, Andrew

Conservation versus use
pp. 510-511(2)
Author: Montagu, Jeremy

The south German violin
pp. 511-513(3)
Author: Erhardt, Tassilo

`The cradle of music in Ireland'
pp. 514-515(2)
Author: Cowgill, Rachel

Couperin in context
pp. 516-518(3)
Author: Sadler, Graham

Concerts in English society
pp. 518-520(3)
Author: Boydell, Barra

Sammartini revisited
pp. 520-522(3)
Author: Talbot, Michael

The arcane colours of Fayrfax
pp. 523-524(2)
Author: Milsom, John

A pastoral and `the Scottish play'
pp. 524-526(3)
Author: Humphreys, Mark

Visions of the Middle Ages
pp. 527-528(2)
Author: Moody, Ivan

Phantasms sweet
pp. 528-530(3)
Author: Robinson, Lucy

Harpsichord music from England and Germany
pp. 530-532(3)
Author: Kitchen, John

The recorder across Europe
pp. 532-533(2)
Author: Knights, Francis

Baroque voices and violins
pp. 533-535(3)
Author: Roche, Elizabeth

The artful harpsichord
pp. 535-536(2)
Author: Ledbetter, David

Vivaldi in madness and mirth
pp. 536-538(3)
Author: Talbot, Michael

The sweet sound of cultures clashing
pp. 538-539(2)
Author: Lindorff, Joyce

Seeking early English keyboards
pp. 541-543(3)
Author: Turbet, Richard

Questions of copyright
pp. 543-544(2)
Author: Knighton, Tess

Tempering Bach's temperament
pp. 545-545(1)
Author: Ponsford, David

Correspondence
pp. 546-547(2)
Authors: Mobbs, Kenneth; Mackenzie of Ord, Alexander; Isacoff, Stuart

Copyright issues
pp. 548-549(2)
Author: Sawkins, Lionel

The little-known Francesco Scarlatti
pp. 549-550(2)
Author: Pagano, Roberto

More on the clarinet in England
pp. 549-549(1)
Author: Rice, Albert

Abstracts
pp. 550-552(3)

Lassus and the wild beasts
pp. 550-550(1)
Author: Rastall, Richard

Advertisers' Index
pp. 553-554(2)

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