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Early Music is a stimulating and richly illustrated journal, and is unrivalled in its field. Founded in 1973, it remains the journal for anyone interested in early music and how it is being interpreted today. Contributions from scholars and performers on international standing explore every aspect of earlier musical repertoires, present vital new evidence for our understanding of the music of the past, and tackle controversial issues of performance practice.

Publisher: Oxford University Press

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Volume 32, Number 3, August 2004

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Inside back cover ad
pp. ii-ii(1)

Outside back cover ad
pp. iii-iii(1)

Editorial
pp. 353-354(2)
Author: Tess Knighton

Music at Corpus Christi in colonial Cuzco
pp. 355-368(14)
Author: Geoffrey Baker

Musical politics of empire: the loa in 18th-century Manila
pp. 383-402(20)
Author: David Irving

New light on the old bow-2
pp. 415-426(12)
Author: Robert E. Seletsky

The historical imagination
pp. 459-460(2)
Author: Nicholas Kenyon

Early chant
pp. 460-461(2)
Author: Sam Barrett

Ciconia in transition
pp. 462-463(2)
Author: Elizabeth Eva Leach

Golden Age polyphony
pp. 463-465(3)
Author: Stephen Rice

The vernacular oratorio
pp. 465-466(2)
Author: Graham Dixon

A Tallis Scholars' retrospective
pp. 466-468(3)
Author: John Milsom

Routes of the Roman oratorio
pp. 468-469(2)
Authors: Noel O'Regan

Fayrfax at the Chapel Royal
pp. 471-473(3)
Author: Roger Bowers

French schoolgirls and young ladies
pp. 473-476(4)
Author: Graham Sadler

French schoolgirls and young ladies
pp. 473-476(4)
Author: Graham Sadler

The world of François Couperin
pp. 477-478(2)
Author: Howard Schott

Willaert and Gabrieli secular music
pp. 478-481(4)
Author: David Kidger

Briefly noted
pp. 481-484(4)
Author: Fabrice Fitch

Beethoven's tied-note notation
pp. 489-491(3)
Author: Malcolm Bilson

Musical instruments of the Bible
pp. 491-492(2)
Author: Jeremy Montagu

Advertisers' index
pp. 493-494(2)

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