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Early Music is a stimulating and richly illustrated journal, and is unrivalled in its field. Founded in 1973, it remains the journal for anyone interested in early music and how it is being interpreted today. Contributions from scholars and performers on international standing explore every aspect of earlier musical repertoires, present vital new evidence for our understanding of the music of the past, and tackle controversial issues of performance practice.

Publisher: Oxford University Press

Volume 32, Number 2, May 2004
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Inside back cover ad
pp. ii-ii(1)

Outside back cover ad
pp. iii-iii(1)

Editorial
pp. 175-176(2)
Author: Tess Knighton

The Spanish plucked viola in Renaissance Italy, 1480–1530
pp. 177-193(17)
Author: Hiroyuki Minamino

More about Renaissance slide trumpets: fact or fiction?
pp. 252-270(19)
Authors: Patrick Tröster

New light on the old bow—1
pp. 286-302(17)
Author: Robert E. Seletsky

Monteverdi: onwards and downwards
pp. 303-318(16)
Author: Andrew Parrott

Medieval performances
pp. 319-320(2)
Author: Richard Rastall

The guitar in its fullness
pp. 320-322(3)
Author: Richard Pinnell

Biblical instruments
pp. 322-326(5)
Author: David Wulstan

Words without music in the German Baroque
pp. 326-327(2)
Author: Stephen Rose

Words without music in the German Baroque
pp. 326-327(2)
Author: Stephen Rose

Small-town Spain
pp. 327-328(2)
Author: Geoffrey Baker

Early America and Cuba
pp. 328-333(6)
Author: David Irving

Early America and Cuba
pp. 328-333(6)
Author: David Irving

Balancing a catalogue
pp. 333-334(2)
Author: Michael Latcham

Ludford and Croce
pp. 335-336(2)
Author: John Milsom

Ludford and Croce
pp. 335-336(2)
Author: John Milsom

Seicento opera edited
pp. 336-338(3)
Author: Hendrik Schulze

Seicento opera edited
pp. 336-338(3)
Author: Hendrik Schulze

Seicento opera edited
pp. 336-338(3)
Author: Hendrik Schulze

Music for plucked strings
pp. 339-341(3)
Author: Tess Knighton

Biber's Mystery Sonatas
pp. 341-343(3)
Author: Mieko Kanno

Renaissance miscellany
pp. 343-344(2)
Author: Fabrice Fitch

Two Trasuntino harpsichord copies
pp. 345-346(2)
Author: Peter Bavington

Harold Copeman (1918–2003)
pp. 347-347(1)
Author: Margaret Bent

Pitch in early Anglican church music
pp. 348-349(2)
Author: David Wulstan

Basle, Cambridge and openness
pp. 349-349(1)
Author: Christopher Page

Performing pitch
pp. 349-349(1)
Author: Andrew Parrott

Bach's singers
pp. 350-350(1)
Author: Eric Altschuler

List of Advertisers
pp. 351-352(2)

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