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The Cambridge Quarterly was established on, and remains committed to, the principle that literature is an art, and that the purpose of art is to give pleasure and enlightenment. The journal devotes itself principally to literary criticism and its fundamental aim to take a critical look at accepted views. The Cambridge Quarterly also regularly publishes articles on music, cinema, painting, and sculpture, and endows a prize for, and publishes, the best Cambridge University Finals dissertation each year.

Publisher: Oxford University Press

Volume 37, Number 1, March 2008
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Introduction: Henry James in the Modern World
pp. 1-2(2)
Authors: Follini, Tamara; Horne, Philip

James in America: In Quest of (the) Material
pp. 3-15(13)
Author: Anesko, Michael

The American Scene, or Paradise Lost
pp. 16-29(14)
Author: Gooder, R. D.

Habitations of Modernism: Henry James's New York, 1907
pp. 30-46(17)
Author: Follini, Tamara L.

Reinstated: James in Roosevelt's Washington
pp. 47-63(17)
Author: Horne, Philip

Derogation from The Next Time
pp. 64-78(15)
Author: Ricks, Christopher

Henry James and the Mobile Phone
pp. 79-89(11)
Author: Poole, Adrian

Master Narratives
pp. 121-131(11)
Author: Saunders, Max

Henry James and George Sand: Lives and After-lives
pp. 132-149(18)
Author: Gooder, Jean

Henry James and Unholy Art Acquisitions
pp. 150-163(14)
Author: Perosa, Sergio

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