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The Cambridge Quarterly was established on, and remains committed to, the principle that literature is an art, and that the purpose of art is to give pleasure and enlightenment. The journal devotes itself principally to literary criticism and its fundamental aim to take a critical look at accepted views. The Cambridge Quarterly also regularly publishes articles on music, cinema, painting, and sculpture, and endows a prize for, and publishes, the best Cambridge University Finals dissertation each year.

Publisher: Oxford University Press

Volume 33, Number 4, 2004
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The Master's Lesson: Balzac and Henry James
pp. 315-330(16)
Author: Gervais, David

Travelling Across Cultures: George Borrow's Wild Wales
pp. 331-343(13)
Author: Hyde, George

The Glimmering Frontier: Emily Dickinson and Publication
pp. 345-362(18)
Author: Greenup, Martin

Shining in these Contents
pp. 363-367(5)
Author: Edwards, Karen L.

Second Best? Translating Purgatorio
pp. 367-371(5)
Author: Havely, Nick

Will He Come Back?
pp. 371-375(5)
Author: Roe, John

Shakespeare's Machiavellian Explorations
pp. 376-378(3)
Author: Lindley, David

Shakespeare's Machiavellian Explorations
pp. 376-378(3)
Author: Lindley, David

Emergent Voices
pp. 379-383(5)
Author: Radley, Bryan

Female Sarcastic Lordliness
pp. 383-385(3)
Author: Regard, Frederic

Making Wessex Novel Again
pp. 386-391(6)
Author: Radford, Andrew

Making Wessex Novel Again
pp. 386-391(6)
Author: Radford, Andrew

Singularity in Criticism
pp. 395-398(4)
Author: Clark, Timothy

After Such Knowledge, What Forgiveness?
pp. 398-401(4)
Author: Jouve, Nicole Ward

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