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The Cambridge Quarterly was established on, and remains committed to, the principle that literature is an art, and that the purpose of art is to give pleasure and enlightenment. The journal devotes itself principally to literary criticism and its fundamental aim to take a critical look at accepted views. The Cambridge Quarterly also regularly publishes articles on music, cinema, painting, and sculpture, and endows a prize for, and publishes, the best Cambridge University Finals dissertation each year.

Publisher: Oxford University Press

Volume 33, Number 3, 2004
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Max Plowman and the Literature of the First World War
pp. 217-243(27)
Author: Malcolm Pittock

Creative Translations and Editorial Borrowing
pp. 257-260(4)
Author: David Money

Bob Dylan Among the Professors
pp. 261-269(9)
Author: Geoff Ward

Bob Dylan Among the Professors
pp. 261-269(9)
Author: Geoff Ward

Bob Dylan Among the Professors
pp. 261-269(9)
Author: Geoff Ward

Theory of Temptation
pp. 270-271(2)
Author: Frederic Regard

The Figure in the Carpet
pp. 272-276(5)
Author: John Roe

Reading the Uncanny
pp. 277-281(5)
Author: Liz Allison

Monstrous Intimacy
pp. 282-285(4)
Author: Sebastian Skeaping

The Triumph of Life?
pp. 286-289(4)
Author: Alex Watson

Of Critics and Cannibals
pp. 290-293(4)
Author: Pat Palmer

Transformation Scenes: Metamorphoses and Cultural History
pp. 294-297(4)
Author: Judith Woolf

Transformation Scenes: Metamorphoses and Cultural History
pp. 294-297(4)
Author: Judith Woolf

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