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The Cambridge Quarterly was established on, and remains committed to, the principle that literature is an art, and that the purpose of art is to give pleasure and enlightenment. The journal devotes itself principally to literary criticism and its fundamental aim to take a critical look at accepted views. The Cambridge Quarterly also regularly publishes articles on music, cinema, painting, and sculpture, and endows a prize for, and publishes, the best Cambridge University Finals dissertation each year.

Publisher: Oxford University Press

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Volume 33, Number 2, 2004

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Peter Pan's Rights: To Protect or Petrify?
pp. 119-154(36)
Author: Catherine Seville

‘These irritant bodies’: Blinding and Blindness in Dystopia
pp. 155-172(18)
Author: Werner von Koppenfels

Dead Good
pp. 173-177(5)
Author: Paul Coleman

On Not Remembering Slavery
pp. 177-180(4)
Author: Laura Chrisman

Race as Placeholder for Difference
pp. 181-183(3)
Author: Ato Quayson

A Question of Place
pp. 184-187(4)
Author: Sarah Savitt

Torrents of Trash
pp. 187-189(3)
Author: Tory Young

Bashing the Bishop and Other Euphemisms
pp. 190-192(3)
Author: Benjamin Jacob

Seer of Fresh Water
pp. 193-196(4)
Author: Rachel Buxton

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