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The Cambridge Quarterly was established on, and remains committed to, the principle that literature is an art, and that the purpose of art is to give pleasure and enlightenment. The journal devotes itself principally to literary criticism and its fundamental aim to take a critical look at accepted views. The Cambridge Quarterly also regularly publishes articles on music, cinema, painting, and sculpture, and endows a prize for, and publishes, the best Cambridge University Finals dissertation each year.

Publisher: Oxford University Press

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Volume 33, Number 1, 2004

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Art as Spectacle: Two Recent Exhibitions about Paris
pp. 29-40(12)
Author: Martin Golding

In the South: Adrian Stokes and the ‘Quattro Cento’
pp. 41-50(10)
Author: David Gervais

The Path to the Poetics
pp. 51-54(4)
Author: Derek Attridge

The Arresting Development of Little Red Riding Hood
pp. 59-62(4)
Author: Joanne Waugh

Evolutionary Spectacles
pp. 67-70(4)
Author: Andrew Radford

Georgian Revival
pp. 71-73(3)
Author: Alan Allport

The Dissonance of Dissent
pp. 74-77(4)
Author: Alex Tickell

Literary Responses to Political Violence
pp. 78-80(3)
Author: Douglas Field

Alive Or Dead?
pp. 85-96(12)

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