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The Cambridge Quarterly was established on, and remains committed to, the principle that literature is an art, and that the purpose of art is to give pleasure and enlightenment. The journal devotes itself principally to literary criticism and its fundamental aim to take a critical look at accepted views. The Cambridge Quarterly also regularly publishes articles on music, cinema, painting, and sculpture, and endows a prize for, and publishes, the best Cambridge University Finals dissertation each year.

Publisher: Oxford University Press

Volume 32, Number 3, September 2003
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The Cockney Moment
pp. 203-223(21)
Author: Gregory Dart

Fantastic, but Truthful: The Ethics of Romance
pp. 225-238(14)
Author: Jean-Michel Ganteau

The Importance of Being Irish: Jennifer Johnston
pp. 239-249(11)
Author: Felicity Rosslyn

Jane Austen and her Critics
pp. 251-275(25)
Author: Malcolm Pittock

Edmund Spenser: The Faerie Queene
pp. 277-281(5)
Author: John Roe

Shakespeare. The Complete Sonnets and Poems
pp. 292-295(4)
Author: Michael G. Brennan

The Invention of Telepathy, 1870–1901
pp. 295-298(4)
Author: Rebecca Stott

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