British Journal of Aesthetics

Can a Musical Work Be Created?
pp. 113-134(22)
Authors: Ben Caplan; Carl Matheson

Modes of Interpretation and Interpretative Constraints
pp. 135-148(14)
Author: Stein Haugom Olsen

Painting, Sculpture, Sight, and TouchThis paper is a modified version of an Inaugural Lecture at the University of Sheffield. I am grateful to the University, for the opportunity to give the lecture; to my colleagues and friends, for their generous support on that occasion; to Marion Thain, for discussion; and to the Leverhulme Trust, for the award of a Philip Leverhulme prize, which made possible the research here presented.
pp. 149-166(18)
Author: Robert Hopkins

Essence and Anti-essentialism about Art
pp. 167-183(17)
Author: Lauren Tillinghast

Musical Movement: A Reply to Budd
pp. 184-187(4)
Author: Roger Scruton

Themes in the Philosophy of Music
pp. 188-194(7)
Author: Anthony Gritten

A Philosophical Study of T. S. Eliot's Four Quartets
pp. 195-197(3)
Authors: Ole Martin Skilleås

Interpreting Art: Reflecting, Wondering, and Responding
pp. 197-199(3)
Author: Jeffrey Petts

Decadent Subjects: The Idea of Decadence in Art, Literature, Philosophy and Culture of the Fin de Siècle in Europe
pp. 199-202(4)
Author: Oliver Conolly

Heidegger's Philosophy of Art
pp. 202-204(3)
Author: Nicholas Davey

Hanslick on the Musically Beautiful: Sixteen Lectures on the Musical Aesthetics of Eduard Hanslick
pp. 204-205(2)
Author: Alexander Binns

Conceivability and Possibility
pp. 206-207(2)
Author: Andrew Pyle

Skin: On the Cultural Border Between Self and the World
pp. 208-210(3)
Author: Mark W. D. Paterson

Books Received
pp. 211-211(1)

Journals Received
pp. 212-212(1)