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Founded in 1960, The British Journal of Aesthetics is highly regarded as an international forum for debate in aesthetics and the philosophy of art. The Journal is published to promote the study, research, and discussion of the fine arts and related types of experience from a philosophical standpoint.

Publisher: Oxford University Press

Volume 44, Number 2, April 2004
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Can a Musical Work Be Created?
pp. 113-134(22)
Authors: Ben Caplan; Carl Matheson

Modes of Interpretation and Interpretative Constraints
pp. 135-148(14)
Author: Stein Haugom Olsen

Painting, Sculpture, Sight, and TouchThis paper is a modified version of an Inaugural Lecture at the University of Sheffield. I am grateful to the University, for the opportunity to give the lecture; to my colleagues and friends, for their generous support on that occasion; to Marion Thain, for discussion; and to the Leverhulme Trust, for the award of a Philip Leverhulme prize, which made possible the research here presented.
pp. 149-166(18)
Author: Robert Hopkins

Essence and Anti-essentialism about Art
pp. 167-183(17)
Author: Lauren Tillinghast

Musical Movement: A Reply to Budd
pp. 184-187(4)
Author: Roger Scruton

Themes in the Philosophy of Music
pp. 188-194(7)
Author: Anthony Gritten

A Philosophical Study of T. S. Eliot's Four Quartets
pp. 195-197(3)
Authors: Ole Martin Skilleås

Interpreting Art: Reflecting, Wondering, and Responding
pp. 197-199(3)
Author: Jeffrey Petts

Decadent Subjects: The Idea of Decadence in Art, Literature, Philosophy and Culture of the Fin de Siècle in Europe
pp. 199-202(4)
Author: Oliver Conolly

Heidegger's Philosophy of Art
pp. 202-204(3)
Author: Nicholas Davey

Hanslick on the Musically Beautiful: Sixteen Lectures on the Musical Aesthetics of Eduard Hanslick
pp. 204-205(2)
Author: Alexander Binns

Conceivability and Possibility
pp. 206-207(2)
Author: Andrew Pyle

Skin: On the Cultural Border Between Self and the World
pp. 208-210(3)
Author: Mark W. D. Paterson

Books Received
pp. 211-211(1)

Journals Received
pp. 212-212(1)

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