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The National Gallery Technical Bulletin, published annually, is a unique record of research carried out at the National Gallery, covering all aspects of the conservation, technical study and care of the paintings in the collection. Drawing on the combined expertise of curators, conservators and scientists, it brings together a wealth of information about artists' materials, working practices and techniques. The Technical Bulletin is an invaluable resource for art historians, collectors, and all those with an interest in Old Master paintings, as well as essential reading for conservators.

Publisher: National Gallery

Volume 24, Number 1, January 2003
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Seurat's Painting Practice: Theory, Development and Technology
pp. 4-37(34)
Authors: Kirby, Jo; Stonor, Kate; Roy, Ashok; Burnstock, Aviva; Grout, Rachel; White, Raymond

Giulio Romano and The Birth of Jupiter: Studio Practice and Reputation
pp. 38-49(12)
Author: Keith, Larry

The 'Two Tax-Gatherers' by Marinus van Reymerswale: Original and Replica
pp. 50-63(14)
Authors: Ackroyd, Paul; Billlnge, Rachel; Campbell, Lorne; Kirby, Jo

The Triptych of Saint Catherine and the Philosophers attributed to Goossen van der Weyden in Southampton City Art Gallery
pp. 64-74(11)
Authors: Billinge, Rachel; Campbell, Lorne

Pigment-medium Interactions in Oil Paint Films containing Red Lead or Lead-tin Yellow
pp. 75-95(21)
Authors: Higgitt, Atherine; Spring, Marika; Saunders, David

'Black Earths': A Study of Unusual Black and Dark Grey Pigments used by Artists in the Sixteenth Century
pp. 96-114(19)
Authors: Spring, Marika; Grout, Rachel; White, Raymond

Recent issues of the National Gallery Technical Bulletin
pp. 116-116(1)

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