Tabucchi's Brutal Empires
Author: Wren-Owens, Liz1
Source: The Modern Language Review, Volume 102, Number 3, 1 July 2007 , pp. 723-736(14)
Publisher: Modern Humanities Research Association
- The Modern Language Review, the flagship journal of the Association, is available to all individual members as part of their subscription. MLR is one of the oldest journals in its field, maintaining an unbroken publication record since its foundation in 1905, and publishing more than 3,000 articles and 20,000 book reviews.
Each volume consists of four issues, published in January, April, July and October of each year. Its 1000+ annual pages are divided roughly equally between articles, predominantly on medieval and modern literature in the languages of Europe, and over 500 reviews of books in these areas. All contributions are in English, and each section is edited by a noted scholar in the field, under the overall supervision of the General Editor. Articles are chosen not only for their scholarly worth and originality but also, as far as possible, for their potential interest to a wider readership in other disciplines.
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Abstract:
This article charts the dramatic shift in Antonio Tabucchi's representation of Portuguese empire, from a romanticized, Eurocentric depiction of imperialism in the 1984 text Notturno indiano to a portrayal of a brutal and repressive empire in his 1991 collection L'angelo nero and his 1997 novel La testa perduta di Damasceno Monteiro. This abrupt change is located within the historiographical debates regarding empire which took place in Italy and Portugal from the 1970s onwards, and it is suggested that such a shift may be usefully viewed against the reassessment of Italian colonialism which occurred in Italy in the 1990s.Keywords: Antonio Tabucchi; Portuguese empire; Notturno indiano; L'angelo nero; La testa perduta di Damasceno Monteiro; historiographical debates regarding empire; Italy and Portugal; reassessment of Italian colonialism
Document Type: Research article
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