Visual Culture in Britain

Introduction: Visual Culture and Taste in Late-Victorian and Edwardian Britain
pp. 1-4(4)
Author: Holt, Ysanne

Prejudice and Parsimony: Early Acquisitions of Modern French Paintings at the National Gallery of Scotland
pp. 5-19(15)
Author: Fowle, Frances

An Annex to Trafalgar Square: the Tate Collection 1897-1914
pp. 21-29(9)
Author: Birchall, Heather

The Art Dealer and Taste: the Case of David Croal Thomson and the Goupil Gallery, 1885-1897
pp. 31-49(19)
Author: Helmreich, Anne

Cottars and Cabbages: Issues of National Identity in Scottish 'Kailyard' Paintings of the Late Nineteenth Century
pp. 51-68(18)
Author: Newton, Laura

Celticism and Internationalism in the circle of Patrick Geddes
pp. 69-83(15)
Author: Macdonald, Murdo

James Orrock, dentist, artist, patron, collector, dealer, curator, connoisseur, forger, propagandist
pp. 85-98(14)
Author: Morris, Edward

'Solvitur ambulando': Lord Leverhulme, Sculpture, Collecting and Display
pp. 99-123(25)
Author: Yarrington, Alison

Eddie Marsh: a Picture-Collector's 'Lust for Possession'
pp. 125-137(13)
Author: Holt, Ysanne

'Bribery with sherry' and 'the influence of weak tea': Women Critics as Arbiters of Taste in the late-Victorian and Edwardian Press
pp. 139-155(17)
Author: Clarke, Meaghan

Consuming Modern Art: Metaphors of Gender, Commerce and Value in Late-Victorian and Edwardian Art Criticism
pp. 157-170(14)
Author: Fletcher, Pamela M.

The English Edition of Julius Meier-Graefe's Entwicklungsgeschichte der modernen Kunst
pp. 171-188(18)
Author: Petri, Grischka

The Theology of Painting - the Cult of Velazquez and British Art at the Turn of the Twentieth Century
pp. 189-205(17)
Author: McConkey, Kenneth

'A keen sight for the sign of the races': John Singer Sargent, whiteness and the fashioning of Angloperformativity
pp. 207-225(19)
Author: Stephenson, Andrew

Reviews
pp. 227-238(12)
Author: Peters Corbett, David