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The Bog Gothic: Bram Stoker's ‘Carpet of Death’ and Ireland's Horrible Beauty

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This article examines Irish bogland as Gothic landscapes in Bram Stoker's The Snake's Pass (1890). Conjoining the constituent elements of the Irish bog with the EcoGothic as a literary and cultural mode, the ‘Bog Gothic’ illustrates bogland as untamed wasteland that resists incorporation into modernity and colonialism. This article argues that investigating bogland in The Snake's Pass will draw attention to the ways in which Irish bogs are situated precariously among issues of national identity, colonial consciousness, and environmental history, which ultimately results in the marginalisation and degradation of these ubiquitous and emblematic landscapes of Ireland.
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Keywords: Bogs; EcoGothic; Environment; Irish Gothic; Modernity; Postcolonial

Document Type: Research Article

Affiliations: University of Alberta

Publication date: 01 May 2014

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  • The official journal of the International Gothic Association considers the field of Gothic studies from the eighteenth century to the present day. The aim of Gothic Studies is not merely to open a forum for dialogue and cultural criticism, but to provide a specialist journal for scholars working in a field which is today taught or researched in almost all academic establishments. Gothic Studies invites contributions from scholars working within any period of the Gothic; interdisciplinary scholarship is especially welcome, as are readings in the media and beyond the written word.

    Gothic Studies is also available in an unrivalled electronic collection, Manchester Gothic that also includes 40 eBooks on gothic literature and culture written by leading names in the field and covers literature, film, television, theatre and visual arts, dating from the eighteenth century to the present day.

    Manchester Gothic aims to explain why gothic studies is so prevalent in the fields of art, film, literature and culture by providing easy access to digital texts, essays and studies in all things gothic. From the study of gothic and death to monsters, vampires, werewolves and ghosts as well as studies on visionaries such as Terry Gilliam, Alan Moore and Terence Fisher; Manchester Gothic brings them all together in one easy to use resource see Manchester Gothic.
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