Author: Glinsman, Lisha Deming

Source: Studies in Conservation, Supplement 1 , pp. 3-17(15)

Publisher: Maney Publishing

Abstract:

This paper furnishes the museum scientist, conservator and curator with a better understanding of the theory and practice of X-ray fluorescence spectrometry (XRF) for the study, preservation and exhibition of museum collections. An overview of X-ray fluorescence theory and instrumentation is presented. The scope of X-ray fluorescence spectrometry in the museum laboratory is demonstrated through specific examples from collections of the National Gallery of Art, Washington, D. C. Easel paintings, works on paper, photographic prints, sculpture and the decorative arts are discussed. Protocols for XRF analysis of works of art in different mediums are provided.

Document Type: Research Article

Publication date: 2005-06-01

More about this publication?

• Visit the society website: The International Institute for Conservation of Historic and Artistic Works
• Editorial Board
• Information for Authors
• Subscribe to this Title
• Membership Information
• Information for Advertisers
• Terms & Conditions
• Top articles
• Archaeology Spotlight
• Sign up for e-alerts
• ingentaconnect is not responsible for the content or availability of external websites

Related content

• In this: publication
• By this: publisher
• By this author: Glinsman, Lisha Deming

Website © Publishing Technology. Article copyright remains with the publisher, society or author(s) as specified within the article.

• Terms and conditions
• Privacy policy
• Information for advertisers