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Digital Art Studio: Techniques for Combining Inkjet Printing with Traditional Art Materials

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This presentation focuses on the experiences of pioneering Digital Atelier artists, Dorothy Simpson Krause, Bonny Lhotka and Karin Schminke from their residency at the Smithsonian American Art Museum in 1997 to the publication of their best-selling book, Digital Art Studio. Krause explores how her work as an artist has changed and evolved and how she and the other Digital Atelier artists have obtained access to the tools necessary for making their cutting-edge art - art that could have been produced at no other time in history.

Their most recent work with UV-cured flatbed printers provides a glimpse into the future for artists using digital technologies.
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Document Type: Research Article

Publication date: 2006-01-01

More about this publication?
  • For more than 30 years, IS&T's series of digital printing conferences have been the leading forum for discussion of advances and new directions in 2D and 3D printing technologies. A comprehensive, industry-wide conference that brings together industry and academia, this meeting includes all aspects of the hardware, materials, software, images, and applications associated with digital printing systems?particularly those involved with additive manufacturing and fabrication?including bio-printing, printed electronics, page-wide, drop-on-demand, desktop and continuous ink jet, toner-based systems, and production digital printing, as well as the engineering capability, optimization, and science involved in these fields. In 2016, the conference changed its name formally to Printing for Fabrication to better reflect the content of the meeting and the evolving technology of printing.

    Please note: For purposes of its Digital Library content, IS&T defines Open Access as papers that will be downloadable in their entirety for free in perpetuity. Copyright restrictions on papers vary; see individual paper for details.

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