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Digital Art Studio: Techniques for Combining Inkjet Printing with Traditional Art Materials

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This presentation focuses on the experiences of pioneering Digital Atelier artists, Dorothy Simpson Krause, Bonny Lhotka and Karin Schminke from their residency at the Smithsonian American Art Museum in 1997 to the publication of their best-selling book, Digital Art Studio. Krause explores how her work as an artist has changed and evolved and how she and the other Digital Atelier artists have obtained access to the tools necessary for making their cutting-edge art - art that could have been produced at no other time in history.

Their most recent work with UV-cured flatbed printers provides a glimpse into the future for artists using digital technologies.

Document Type: Research Article

Publication date: January 1, 2006

More about this publication?
  • For more than 25 years, NIP has been the leading forum for discussion of advances and new directions in non-impact and digital printing technologies. A comprehensive, industry-wide conference, this meeting includes all aspects of the hardware, materials, software, images, and applications associated with digital printing systems, including drop-on-demand ink jet, wide format ink jet, desktop and continuous ink jet, toner-based electrophotographic printers, production digital printing systems, and thermal printing systems, as well as the engineering capability, optimization, and science involved in these fields.

    Since 2005, NIP has been held in conjunction with the Digital Fabrication Conference.

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