Gendering Old and New Malay through Malaysian auteur filmmaker U-Wei Haji Saari's literary adaptations, The Arsonist (1995) and Swing My Swing High, My Darling (2004)

Author: Khoo, Gaik Cheng

Source: South East Asia Research, Volume 18, Number 2, June 2010 , pp. 301-324(24)

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Abstract:

This paper discusses two adapted works of the Malay filmmaker U-Wei Haji Saari (b 1954): Kaki Bakar (The Arsonist, 1995), from William Faulkner's short story 'Barn Burning' and Buai Laju-Laju (Swing My Swing High, My Darling, 2004) from the novel by James M. Cain, The Postman Always Rings Twice. A close reading of these two films provides some insights into the filmmaker's thoughts on where Malay society is heading in terms of development, progress, social change and cultural values. The films focus on the tension between the individual and society, which is heightened by state capitalism and the drive for economic success. Along the way, each film deconstructs the notion of the achievement and success of the New Economic Policy (NEP, 1971-90) and suggests that men and women manage and manifest their existential anxieties differently. The author argues that Kaki Bakar and Buai Laju-Laju highlight oppositional dreams of individual versus collective Malay identity through movement and stasis, gendering stasis as traditional and male (Old Malay) and upward mobility as female (New Malay). Finally, Buai Laju-Laju's morally ambiguous ending, in which the femme fatale triumphs over the anti-hero, subtly comments on the social and moral costs of a state capitalist ideology that privileges developmentalism and materialism over human ethics.

Keywords: FILM NOIR; MALAYSIAN CINEMA; MALAY SUBJECTIVITY; U-WEI HAJI SAARI

Document Type: Research article

DOI: http://dx.doi.org/10.5367/000000010791513157

Publication date: 2010-06-01

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South East Asia Research publishes articles based on original research or fieldwork on all aspects of South East Asia within the disciplines of archaeology, art history, economics, geography, history, language and literature, law, music, political science, social anthropology and religious studies. This peer-reviewed journal is published four times per year by IP Publishing in cooperation with the School of Oriental and African Studies (SOAS). SOAS is the leading centre in this field in Europe and one of the most prestigious centres of South East Asian Studies in the world.
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Gendering Old and New Malay through Malaysian auteur filmmaker U-Wei Haji Saari's literary adaptations, The Arsonist (1995) and Swing My Swing High, My Darling (2004)

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