'You've come a long way, baby' Erma Fatima, film and politics

Author: Cheng, Khoo Gaik

Source: South East Asia Research, Volume 14, Number 2, July 2006 , pp. 179-209(31)

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Abstract:

In the late 1990s, only two women filmmakers made a mark in the Malay film industry - Shuhaimi Baba and Erma Fatima. Their films capture the attitude, spirit and vision of Mahathirism with regard to gender, sexuality, race relations and Malay(sian) identity. They show women who are comfortable with modernity and urban living, yet who have not lost touch with their adat (customary) roots, family values and community spirit. These cinematic positions metaphorically reflect the ideology of UMNO's 'moderate' stance on women and modernity as compared with the position of PAS and other religious 'fundamentalist' groups. This paper focuses on Erma Fatima and her career and films.

Keywords: WOMEN FILMMAKERS; GENDER; NATIONALISM; ADAT; ISLAM; MALAY CINEMA

Document Type: Research article

DOI: http://dx.doi.org/10.5367/000000006778008112

Publication date: 2006-07-01

More about this publication?

South East Asia Research publishes articles based on original research or fieldwork on all aspects of South East Asia within the disciplines of archaeology, art history, economics, geography, history, language and literature, law, music, political science, social anthropology and religious studies. This peer-reviewed journal is published four times per year by IP Publishing in cooperation with the School of Oriental and African Studies (SOAS). SOAS is the leading centre in this field in Europe and one of the most prestigious centres of South East Asian Studies in the world.
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