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Walter Murch interviewed by Gustavo Costantini

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Abstract:

In this interview with the Oscar-winning editor and sound designer Walter Murch, composer, academic and critic Gustavo Costantini explores Murch's ways of working with sound and image and some of his conceptual theories on film-making.

Keywords: American Graffiti; Apocalypse Now; Chion; Coppola; The Conversation; Youth Without Youth; editing; musique concrte; sound

Document Type: Research Article

DOI: https://doi.org/10.1386/st.3.1.33_1

Publication date: 2010-07-01

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  • The Soundtrack is a multi-disciplinary journal which brings together research in the area of music and sound in relation to film and other moving image media. A complex cultural, technological, industrial and artistic phenomenon, sound-with-moving image is a rich area for analysis, investigation and speculation. We encourage writing that is accessible to audiences from a diversity of intellectual backgrounds and disciplines as well as providing a forum for practitioners. The Soundtrack's aim is to nurture this new and expanding area of academic investigation in dialogue with soundtrack producers of all kinds.
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