Skip to main content

Walter Murch interviewed by Gustavo Costantini

Buy Article:

$18.00 plus tax (Refund Policy)


In this interview with the Oscar-winning editor and sound designer Walter Murch, composer, academic and critic Gustavo Costantini explores Murch's ways of working with sound and image and some of his conceptual theories on film-making.

Keywords: American Graffiti; Apocalypse Now; Chion; Coppola; The Conversation; Youth Without Youth; editing; musique concrte; sound

Document Type: Research Article


Publication date: July 1, 2010

More about this publication?
  • The Soundtrack is a multi-disciplinary journal which brings together research in the area of music and sound in relation to film and other moving image media. A complex cultural, technological, industrial and artistic phenomenon, sound-with-moving image is a rich area for analysis, investigation and speculation. We encourage writing that is accessible to audiences from a diversity of intellectual backgrounds and disciplines as well as providing a forum for practitioners. The Soundtrack's aim is to nurture this new and expanding area of academic investigation in dialogue with soundtrack producers of all kinds.
  • Editorial Board
  • Information for Authors
  • Subscribe to this Title
  • ingentaconnect is not responsible for the content or availability of external websites

Access Key

Free Content
Free content
New Content
New content
Open Access Content
Open access content
Subscribed Content
Subscribed content
Free Trial Content
Free trial content
Cookie Policy
Cookie Policy
ingentaconnect website makes use of cookies so as to keep track of data that you have filled in. I am Happy with this Find out more