We want the funk: What is Afrofuturism to the situation of digital arts in Africa?
This article takes Afrofuturism as a model for addressing the concerns for digital and technology arts practice in Africa. The focus is on a mechanism for decentralization of a centralized western worldview. Cyberfeminist notions from Haraway’s ‘Cyborg Manifesto’; propositions for an African Science Fiction; and Bouriaud’s ‘Radicant’ are additionally taken into account to reflect similar mechanism in addressing the mechanisms of decentralization. All these act as speculative methods, which are applied to thinking about the concerns that come with contemporary Globalization. The aim is to rethink these issues in globalisaton, particularly with regard to creative and cultural practice with communication technologies emanating from Africa.
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Document Type: Research Article
Affiliations: University of the Witwatersrand
Publication date: 17 May 2012
More about this publication?
- Technoetic Arts focuses upon the juncture between art, technology and the mind. Divisions between academic areas of study, once rigidly fixed, are gradually dissolving due to developments in science and cultural practice. This fusion has had a dramatic effect upon the scope of various disciplines. In particular, the profile of art has radically evolved in our present technological culture
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