‘Thought/visual processing’: Ctrl+x, y, z, v

Author: Ayiter, Elif

Source: Technoetic Arts, Volume 9, Numbers 2-3, May 2012 , pp. 239-245(7)

Publisher: Intellect

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Abstract:

With this text I wish to revisit a long-standing preoccupation of mine which addresses the extent to which the digital medium may have brought about a paradigm shift in creative process; one which has been effectuated through a conversion of the creative medium itself – from atoms to bits. As a visual practitioner, what is particularly significant to my enquiry is that this change in medium is deemed to have brought about a change in language that affects the very nature of autographic work which comes into being as visual output: following Goodman’s definitions of allographic and autographic output, McCullough asserts that visual artworks may now be considered to be allographic productions since they presently share the same attributes of notationally based allographic work, which has traditionally manifested only as music or as literary output. The result is a work environment which wide opens the doors to unprecedented levels of non-linear process and experimentation whilst engaged in the visually creative act.

Keywords: allographic; atoms; autographic; bits; computer; creativity; digital; visual

Document Type: Research Article

DOI: http://dx.doi.org/10.1386/tear.9.2-3.239_1

Affiliations: Sabanci University

Publication date: May 17, 2012

More about this publication?
  • Technoetic Arts focuses upon the juncture between art, technology and the mind. Divisions between academic areas of study, once rigidly fixed, are gradually dissolving due to developments in science and cultural practice. This fusion has had a dramatic effect upon the scope of various disciplines. In particular, the profile of art has radically evolved in our present technological culture
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