Homeopathy: All inclusive
Abstract:The article expounds the concept of substance as a unified system in which all of its properties cannot be determined by its components parts alone. Instead the system as a whole verifies the notion of existence. Everything that exists, noetic and aesthetic, animate or inanimate, is governed by the fundamental status of substance. Hence, none of the parts (humans, angels, rocks, bacteria) can claim for absoluteness against the other. This idea goes back to Ancient Greek scholars, such as Aristotle, while it reaches its climax throughout the Byzantine Philosophy with John of Damascus theories. Accordingly and as the image is concerned, one can encounter this kind of ontology in various artworks, from the frescoes of Lascaux caves, to early Renaissance. Beyond the substance there is the un-substance, which is often confused with western philosophical duality course such as those of the matter and the idea, of the sensible and the intelligible, of the body and the soul and finally of the born and the unborn. Nevertheless, and as for the Byzantine philosophy, these entities are lodged into the unity of the substance irrespective of their tangibility because they all contain some kind of materiality at variance to the immateriality of the un-substance. The most representative version of this theory appears in archaic and late antiquity imagery, a type of imagery that has been scattering into early motion pictures and into late Technoetic practices.
Document Type: Research Article
Affiliations: University of Plymouth
Publication date: September 5, 2011
More about this publication?
- Technoetic Arts focuses upon the juncture between art, technology and the mind. Divisions between academic areas of study, once rigidly fixed, are gradually dissolving due to developments in science and cultural practice. This fusion has had a dramatic effect upon the scope of various disciplines. In particular, the profile of art has radically evolved in our present technological culture
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