Fabricating Nature
Authors: Vilbrandt, Turlif; Pasko, Alexander; Vilbrandt, Carl
Source: Technoetic Arts, Volume 7, Number 2, November 2009 , pp. 165-173(9)
Publisher: Intellect
Abstract:
Nature and the world can be viewed as complex volumetric computation. Historically, humans have interacted with nature in a reductive and homogeneous manner. However, inexpensive digital computation is now extending our capabilities allowing us to understand the complexity of nature and operate in and modify it as such. It is now possible to use computation to control matter, to design and fabricate natural solutions and objects creating a new class of human-made objects that allow more localized, dynamic, sustainable and natural interactions with the world. Unfortunately, current digital design and fabrication systems have failed to fully capitalize on available computation. These systems are non-exact and fundamentally incapable of accurately representing real objects. Digital materialization proposes an approach, system and symbolic basis for two-way conversion between reality and information, where reality is represented as information in a dimensionally correct and exact manner and is accessible to human understanding, modification and design.Keywords: digital materialization (DM); function representation (FRep); boundary representation (BRep); HyperFun; Fab at Home (FaH); volumetric computation; shape modelling; shape engineering; shape language; symbolic language; digital fabrication; additive fabrication; solid freeform fabrication; 3D printing; replicator; nature
Document Type: Research article
DOI: http://dx.doi.org/10.1386/tear.7.2.165/1
Affiliations: 1: Digital Materialization Lab, Tokyo, Japan.
Publication date: 2009-11-01
- Technoetic Arts focuses upon the juncture between art, technology and the mind. Divisions between academic areas of study, once rigidly fixed, are gradually dissolving due to developments in science and cultural practice. This fusion has had a dramatic effect upon the scope of various disciplines. In particular, the profile of art has radically evolved in our present technological culture
- Editorial Board
- Information for Authors
- Subscribe to this Title
- ingentaconnect is not responsible for the content or availability of external websites
- In this: publication
- By this: publisher
- In this Subject: Arts and Humanities , Arts (General) , Technology
- By this author: Vilbrandt, Turlif ; Pasko, Alexander ; Vilbrandt, Carl

Shopping cart
Receive new issue alert
Get Permissions