Studies in Musical Theatre

Editorial
pp. 3-4(2)
Author: Schopf, F. Jane

To sleep perchance to sing: the suspension of disbelief in the prologue to Francesco Cavalli's Gli Amori d'Apollo e di Dafne (1640)
pp. 5-13(9)
Author: Wissner, Reba

Gods! I can never this endure: madness made manifest in the songs of Henry Purcell (16591695) and Henry Carey (16891743)
pp. 15-26(12)
Author: Cable, Jennifer

Orpheus and Jupiter in the limelight: Farinelli and Caffarelli share the stage
pp. 27-44(18)
Author: Desler, Anne

The rediscovery of Comedy of the Dumb Wife (1953) by Polish composer Tadeusz Kassern
pp. 45-52(8)
Author: Kostka, Violetta

Musical semiotics in action: applying and debating Hatten's semiotics in a musico-dramatic context
pp. 53-65(13)
Author: Curry, Ben

This scream I've thrown out is a dream: corporeal transformation through sound, an Artaudian experiment
pp. 67-74(8)
Author: Lucaciu, Mihai

Jazz musicality in postdramatic theatre and the opacity of auditory signs
pp. 75-87(13)
Author: Bouko, Catherine

Musicking as mise-en-scne
pp. 89-101(13)
Author: Roesner, David

Is less truly more? Exploring intimacy and design in small-scale musical theatre
pp. 103-111(9)
Author: Galloway, Melodie G

Germaine Tailleferre and Hlne Perdriat's Le Marchand d'oiseaux (1923): French feminist ballet?
pp. 113-120(8)
Author: Hamer, Laura

Reviews
pp. 121-129(9)
Authors: Clum, John M; Burrows, Donald; Garber, Michael G; Wells, Elizabeth

Books Received
pp. 131-132(2)