Imaging crisis in contemporary Argentina: mothers on the street and mothers on the screen
This article studies five films from the Argentinean post-dictatorship period in combination with an analysis of the performative aspects of current street protests in Argentina. Both protests and films signal the existence of a profound cultural contradiction in the country: while women and symbols of maternity are playing key roles in the articulation of effective political change, many Argentinian films include the character of the deranged mother as a metaphor for the nation and displace over her the responsibilities for the country's economic, social, and political failures. Careful analysis proves that the two phenomena are rooted in the experiences of trauma and resistance undergone by Argentinian society to the state terror imposed by the military government during the Proceso years.
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Document Type: Research Article
Affiliations: Department of Hispanic Languages and Literature and Department of Literary and Cultural Studies, State University of New York, Stony Brook.
Publication date: 01 April 2005
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- In 2013, Studies in Hispanic Cinemas, is changing its name to Studies in Spanish & Latin American Cinemas to reflect more accurately its content, which is dedicated to the study of Spanish-speaking and Latin American cinemas, including the cinemas of Spain and Spanish-speaking South, Central and North America including the Caribbean, as well as Brazil.
Our target readership includes students, teachers and scholars. The journal is written in English to maximize the opportunities for contact between academic disciplines such as Media, Film Studies, Latin American and Post-colonial Studies, as well as Hispanic Studies, thereby encouraging an inter- cultural and inter- disciplinary focus.
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