Short Film Studies

Short Film Studies

ISSN: 2042-7824
E-ISSN: 2042-7832

Short Film Studies is a peer-reviewed journal designed to encourage research by new and established scholars and critics that reflects both the historical importance and the increasing prominence and diversity of short films in today's media landscape.

Journal Status

Active

Collection(s)

Latest Articles Lasest articles RSS feed

- The rhythms and the dualist character of space in Marco Calvani’s The View from Up Here
  
  By Taher Abdel-Ghani
- Microaggression and proxemics in The View from Up Here
  
  By Marci Mazzarotto
- ‘Who else is in here?’: Orientalism and War on Terror ideology in The View from Up Here
  
  By Jason Avilez
- Hierarchical textual compositions and (post-)colonial framing in The View from Up Here
  
  By Anna Batori
- Interview with Marco Calvani about The View from Up Here (2017)
  
  By Cynthia Felando
- The View from Up Here
  
  By Marco Calvani
- Horror, bodily agency and Peggy Ahwesh’s Nocturne (1998)
  
  By Erica Tortolani
- Of divas and diaries: Externalizing the internal in Trevor
  
  By David R. Coon
- Witnessing sexual harassment in Microbus: A conversation with filmmaker Maggie Kamal
  
  By Dian Weys
- Focus on Ukraine: The politics of curating short film and creating a global community
  
  Authors: John Canciani and Laura Walde
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Short Film Studies

Latest Articles Lasest articles RSS feed

The rhythms and the dualist character of space in Marco Calvani’s The View from Up Here

Microaggression and proxemics in The View from Up Here

‘Who else is in here?’: Orientalism and War on Terror ideology in The View from Up Here

Hierarchical textual compositions and (post-)colonial framing in The View from Up Here

Interview with Marco Calvani about The View from Up Here (2017)

The View from Up Here

Horror, bodily agency and Peggy Ahwesh’s Nocturne (1998)

Of divas and diaries: Externalizing the internal in Trevor

Witnessing sexual harassment in Microbus: A conversation with filmmaker Maggie Kamal

Focus on Ukraine: The politics of curating short film and creating a global community

Most Read This Month

Most Cited Most Cited RSS feed

Bullet in the Brain

A decade devoted to the art of the short film

Mr K meets Modern Times: Intertextual closure in La Vis

On the edge of alienation: La Vis

Shifting perspectives in La Vis

Spectatorship and affective investment in La Vis

The power of language

Verfremdung/Entfremdung and modernism: ‘Pseudo-language’ in La Vis

The climax of the show

Andy Warhol Eating a Hamburger as part of the universe of art¹