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The hold of interpretive doubt: When response overpowers narrative

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Abstract:

Initial responses to a moving image, even when subsequently revised, can anchor the viewer’s experience in a framework that tints, and potentially overpowers, the narrative drama. In Cat’s Cradle, questioning the father’s deadness results in enriching layers of semiotic exploration and reflection.

Keywords: (mis)interpretation; liminality; narrative expectation; participant observers

Document Type: Research Article

DOI: http://dx.doi.org/10.1386/sfs.3.2.147_1

Affiliations: Independent researcher

Publication date: October 1, 2013

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  • Short Film Studies is a peer-reviewed journal designed to stimulate ongoing research on individual short films as a basis for a better understanding of the art form as a whole. In each issue, two or three short films will be selected for comprehensive study, with articles illuminating each film from a variety of perspectives.
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