Full text loading...
-
The camera eye as first-person narrator in Natan
- Source: Short Film Studies, Volume 3, Issue 1, Aug 2012, p. 33 - 35
-
- 09 Aug 2012
Abstract
The camera's presence is obvious throughout Natan. Its apparent clumsiness, exemplified by a series of rough or tilted close-ups and low-angle shots, is a means of rendering the main character's marginal personality. Only at the end does it stand at a clear distance, signifying Natan's new-found stability.
© Intellect