The camera eye as first-person narrator in Natan | Intellect Skip to content
1981
Volume 3, Issue 1
  • ISSN: 2042-7824
  • E-ISSN: 2042-7832

Abstract

The camera's presence is obvious throughout Natan. Its apparent clumsiness, exemplified by a series of rough or tilted close-ups and low-angle shots, is a means of rendering the main character's marginal personality. Only at the end does it stand at a clear distance, signifying Natan's new-found stability.

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/content/journals/10.1386/sfs.3.1.33_1
2012-08-09
2024-04-19
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