The uncanny in Kitchen Sink
Drawing on Sigmund Freud's essay 'The Uncanny' and Teresa de Lauretis' thoughts on a film addressing the spectator as a woman through its 'durations, perceptions, events, relationships and silences', this article analyses some of the eerie moments in Kitchen Sink.
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Document Type: Research Article
Publication date: 2012-01-01
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- Short Film Studies is a peer-reviewed journal designed to stimulate ongoing research on individual short films as a basis for a better understanding of the art form as a whole. In each issue, two or three short films will be selected for comprehensive study, with articles illuminating each film from a variety of perspectives.
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