The cartoon logic in Mitko Panov's With Raised Hands
The narrative of With Raised Hands is not governed according to the principles of verisimilitude, which is the presumed default mode of most Holocaust films. Rather, this film follows a narrative logic that is more akin to cartoon narratives. The 'Holocaust comedies' of the 1990s operate in a similar fashion.
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Document Type: Research Article
Publication date: 2012-01-01
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