The cartoon logic in Mitko Panov's With Raised Hands
Abstract:The narrative of With Raised Hands is not governed according to the principles of verisimilitude, which is the presumed default mode of most Holocaust films. Rather, this film follows a narrative logic that is more akin to cartoon narratives. The 'Holocaust comedies' of the 1990s operate in a similar fashion.
Document Type: Research Article
Publication date: January 1, 2012
More about this publication?
- Short Film Studies is a peer-reviewed journal designed to stimulate ongoing research on individual short films as a basis for a better understanding of the art form as a whole. In each issue, two or three short films will be selected for comprehensive study, with articles illuminating each film from a variety of perspectives.
- Editorial Board
- Information for Authors
- Subscribe to this Title
- Ingenta Connect is not responsible for the content or availability of external websites