Full text loading...
-
Freeze-frame: The death and life of a photograph in Mitko Panov's With Raised Hands
- Source: Short Film Studies, Volume 2, Issue 1, Jan 2012, p. 17 - 20
-
- 01 Jan 2012
Abstract
This article will analyse the relationship, reflexively dramatized by With Raised Hands, between still and moving images, taking into account the ambiguous way in which photographs record and memorialize both life and death. This ambiguity is especially charged, historically and psychically, when the photograph registers a traumatic – and now iconic – encounter.
© Intellect