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He, she, the camera, the movie: chains of enunciation and spaces of undecidability in Derailment

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This article will concentrate on the problem of the film's distribution of so-called epistemic competence. It will analyse the film's carefully mounted spaces of undecidability where focalization, authorial/personal narration and (enounced) enunciation as a whole are concerned.

Keywords: aesthetic analysis; enunciation/utterance; epistemic competence; focalization; rhetoric of narrative; spacial undecidability

Document Type: Research Article


Affiliations: Aarhus University

Publication date: 2011-01-01

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  • Short Film Studies is a peer-reviewed journal designed to stimulate ongoing research on individual short films as a basis for a better understanding of the art form as a whole. In each issue, two or three short films will be selected for comprehensive study, with articles illuminating each film from a variety of perspectives.
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