Structural completeness in The War Is Over

Jakob Isak Nielsen

doi:10.1386/sfs.1.1.37_1

ISSN: 2042-7824
E-ISSN: 2042-7832

Structural completeness in The War Is Over
By Jakob Isak Nielsen
Source: Short Film Studies, Volume 1, Issue 1, Jun 2010, p. 37 - 41
DOI: https://doi.org/10.1386/sfs.1.1.37_1
- Published online: 01 Jun 2010

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Abstract

This article argues that Nina Mimica's The War Is Over achieves structural completeness on the basis of a number of choices regarding its visual style: shot scale, shot length, editing style and camera movement.

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2010-06-01

2024-04-25

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Article Type: Article

Keyword(s): CAMERA MOVEMENT; CINEMATOGRAPHY; DISCONTINUITY; EDITING; INTENSIFIED CONTINUITY; VISUAL STYLE

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Structural completeness in The War Is Over

Abstract

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