This article explores the juxtaposition of various stylistic and structural elements and suggests that their accretion creates a system of counterpoint showing that although this unidentified war may be over, war as part of the human experience will never end. This discussion will be
of significance to film, literature and interdisciplinary scholars.
Short Film Studies is a peer-reviewed journal designed to stimulate ongoing research on individual short films as a basis for a better understanding of the art form as a whole. In each issue, two or three short films will be selected for comprehensive study, with articles illuminating each film from a variety of perspectives.