Alexander Sokurov and the Russian soul
Authors: Gillespie, David; Smirnova, Elena
Source: Studies in European Cinema, Volume 1, Number 1, May 2004 , pp. 57-65(9)
Abstract:This article discusses Sokurov's recently acclaimed film Russian Ark/Russki kovcheg. While giving full due to the film's technical innovation (the single, uninterrupted 90-minute take), the authors examine the relationship of the film's style to its content, and the film's exploration of the Russian soul through the dialogue of the Russian ‘narrator’ and the French ‘protagonist’. The themes of art and history as developed in the film are the main focus of scrutiny.
Document Type: Research Article
Affiliations: Department of European Studies and Modern Languages, University of Bath, Bath BA2 7AY, UK., Email: firstname.lastname@example.org
Publication date: May 25, 2004
- Studies in European Cinema provides an outlet for research into any aspect of European cinema and is unique in its interdisciplinary nature, celebrating the rich and diverse cultural heritage across the continent. The journal is distinctive in bringing together a range of European cinemas in one volume and in its positioning of the discussions within a range of contexts - the cultural, historical, textual, and many others.
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