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Nationalism and Hindi Cinema: Narrative Strategies in Fanaa

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Abstract:

This discussion draws upon the narrative strategies of the Bombay cinema blockbuster Fanaa and examines larger questions of culture, nation and citizenship in contemporary India including: What kinds of gender, class and nationalist politics does it reinforce? What kinds of imagined communities does it give rise to? How does it regulate the borders of those communities? On what terms are Muslims offered citizenship in contemporary India? How might Bombay Cinema films function as a transnational cultural product?

Keywords: Bombay Cinema; Citizenship; Muslims; Transnational cultural products

Document Type: Research Article

DOI: http://dx.doi.org/10.1386/safm.1.1.85_1

Affiliations: Wilfrid Laurier University.

Publication date: May 1, 2009

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  • Studies in South Asian Film and Media (SAFM) is the most promising new journal in the field. This peer-reviewed publication is committed to looking at the media and cinemas of the Indian subcontinent in their social, political, economic, historical, and increasingly globalized and diasporic contexts. The journal will evaluate these topics in relation to class, caste, gender, race, sexuality, and ideology.
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