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Philosophy of Photography is a new peer-reviewed journal devoted to the scholarly understanding of photography. It is not committed to any one notion of photography nor, indeed, to any particular philosophical approach. The purpose of the journal is to provide a forum for debate on theoretical issues arising from the historical, political, cultural, scientific and critical matrix of ideas, practices and techniques that may be said to constitute photography as a multifaceted form. In a contemporary context remarkable for its diversity and rate of change, the conjunction of the terms 'philosophy' and 'photography' in the journal's title is intended to act as a provocation to serious reflection on the ways in which existing and emergent photographic discourses might engage with and inform each other.

Publisher: Intellect

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Volume 8, Numbers 1-2, October 2017

Introduction

The Warburg Haus: Apparatus, inscription, data, speculation
pp. 3-7(5)
Authors: Finch, Mick; Westwood, Martin

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Apparatus

Hades as an accumulation of tertiary retentions
pp. 9-16(8)
Author: Stiegler, Bernard

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Warburg’s desk
pp. 53-74(22)
Author: Hensel, Thomas

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Speculation

Speculating on the biography of an apparatus
pp. 76-95(20)
Author: Hennig, Anke

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The tape readers: Financial trading as a visual practice
pp. 109-117(9)
Author: Cochrane, Richard

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Speculative science: Aby Warburg and probability theory
pp. 131-139(9)
Author: Hönes, Hans Christian

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Inscription

Anna Piaggi, Aby Warburg and the Judgement of Paris, 2011
pp. 141-149(9)
Author: Clark, Judith

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Fashion: From attitudes to poses
pp. 151-170(20)
Author: Evans, Caroline

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Data

Metadata: New perspectives on Aby Warburg’s ‘critical iconology’
pp. 171-182(12)
Author: von Müller, Johannes

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Toward an iconology for temporal object
pp. 183-209(27)
Author: Galligo, Igor

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