Skip to main content

REVIEWS

Buy Article:

$18.00 plus tax (Refund Policy)

PRODUKTIONSÄSTHETIK, SEBASTIAN EGENHOFER (2010) Zurich: Diaphanes, 229 pp., ISBN: 9783037341032, p/bk, €26.90

DENKEN GEGEN DAS DENKEN. PRODUKTION, TECHNOLOGIE, SUBJEKTIVITÄT BEI SOL LEWITT, YVONNE RAINER UND HELIO OITICICA, SABETH BUCHMANN (2007) Berlin: b_books, 309 pp., ISBN: 3933557607, p/bk, €32.00

MARTHA ROSLER: THE BOWERY IN TWO INADEQUATE DESCRIPTIVE SYSTEMS, STEVE EDWARDS (2012) Afterall Books, London, 112 pp., ISBN: -10: 1846380847, ISBN: -13: 978-1846380846, p/bk, £9.95

THE REBIRTH OF HISTORY: TIMES OF RIOTS AND UPRISINGS, ALAIN BADIOU (2012) London and New York: Verso, pp. 120, ISBN: 1844678792, h/bk, £17.99

GENEALOGY AND ONTOLOGY OF THE WESTERN IMAGE AND ITS DIGITAL FUTURE, JOHN LECHTE (2012) London: Routledge, 216 pp., ISBN: 0415887151, p/bk, £80.75.

Touching Photographs, Margaret Olin (2012) Chicago: University of Chicago Press, v + 273 pp., ISBN: 978-0-226-62646-8, p/bk, £22.50.

Alien Phenomenology, or What its like to Be a Thing, Ian Bogost (2012) Minneapolis: University of Minnesota Press, 166 pp., ISBN: 9780816678983, p/bk, £13.50
No Reference information available - sign in for access.
No Citation information available - sign in for access.
No Supplementary Data.
No Article Media
No Metrics

Document Type: Review Article

Affiliations: 1: Freie Universität and Universität der Künste Berlin 2: University of the Arts London 3: Sotheby’s Institute of Art 4: University of Minnesota

Publication date: 2012-12-08

More about this publication?
  • Philosophy of Photography is a new peer-reviewed journal devoted to the scholarly understanding of photography. It is not committed to any one notion of photography nor, indeed, to any particular philosophical approach. The purpose of the journal is to provide a forum for debate on theoretical issues arising from the historical, political, cultural, scientific and critical matrix of ideas, practices and techniques that may be said to constitute photography as a multifaceted form. In a contemporary context remarkable for its diversity and rate of change, the conjunction of the terms 'philosophy' and 'photography' in the journal's title is intended to act as a provocation to serious reflection on the ways in which existing and emergent photographic discourses might engage with and inform each other.
  • Editorial Board
  • Information for Authors
  • Terms & Conditions
  • Intellect Books page
  • Ingenta Connect is not responsible for the content or availability of external websites
  • Access Key
  • Free content
  • Partial Free content
  • New content
  • Open access content
  • Partial Open access content
  • Subscribed content
  • Partial Subscribed content
  • Free trial content
UA-1313315-26
Cookie Policy
X
Cookie Policy
Ingenta Connect website makes use of cookies so as to keep track of data that you have filled in. I am Happy with this Find out more