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Philosophy of Photography is a new peer-reviewed journal devoted to the scholarly understanding of photography. It is not committed to any one notion of photography nor, indeed, to any particular philosophical approach. The purpose of the journal is to provide a forum for debate on theoretical issues arising from the historical, political, cultural, scientific and critical matrix of ideas, practices and techniques that may be said to constitute photography as a multifaceted form. In a contemporary context remarkable for its diversity and rate of change, the conjunction of the terms 'philosophy' and 'photography' in the journal's title is intended to act as a provocation to serious reflection on the ways in which existing and emergent photographic discourses might engage with and inform each other.

Publisher: Intellect

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Volume 3, Number 1, December 2012

Articles

Belonging, Photography and the fanatical gaze in Åsa Johannesson’s Belonging
pp. 5-15(11)
Authors: Johannesson, Åsa; Blight, Daniel

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The social network game
pp. 29-35(7)
Author: Bate, David

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Redundancy in photography
pp. 36-44(9)
Author: Palmer, Daniel

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Object communication of the photographic assemblage
pp. 47-59(13)
Author: Martinez, Mark

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Artificial life, André Bazin and Disney nature
pp. 73-80(8)
Author: Guglielmetti, Mark

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Instagram: je-suis-là?
pp. 83-88(6)
Author: Champion, Charlotte

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Art photography at the ‘End of Temporality’
pp. 121-139(19)
Author: Burbridge, Ben

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Photogram
pp. 173-183(11)
Author: Plummer, Sandra

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A Neutral, Flexible Structure
pp. 185-193(9)
Author: Torgersrud, Morten

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The Spectres of Abstraction and the Place of Photography
pp. 195-210(16)
Author: Cunningham, David

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Reviews

REVIEWS
pp. 211-237(27)
Authors: Gerber, Marina; Smith, Olga; Lafuente, Pablo; Guglielmetti, Mark; Plummer, Sandra; Martinez, Mark

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