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Philosophy of Photography is a new peer-reviewed journal devoted to the scholarly understanding of photography. It is not committed to any one notion of photography nor, indeed, to any particular philosophical approach. The purpose of the journal is to provide a forum for debate on theoretical issues arising from the historical, political, cultural, scientific and critical matrix of ideas, practices and techniques that may be said to constitute photography as a multifaceted form. In a contemporary context remarkable for its diversity and rate of change, the conjunction of the terms 'philosophy' and 'photography' in the journal's title is intended to act as a provocation to serious reflection on the ways in which existing and emergent photographic discourses might engage with and inform each other.

Publisher: Intellect

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Volume 2, Number 1, September 2011

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Out of photography … Interview with Ariella Azoulay
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Mirages: An optical machine in the desert
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The photographic stare
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Photography and Memory: Rethinking May ’68
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Transmediation: Tracing the social aesthetic
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Author: DEWDNEY, ANDREW

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The desert and the sea: The Sapphic sublime of Frederick Sommer
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Landscape trauma
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Author: POLLARD, INGRID

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Dosimetry, personal monitoring film
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REVIEWS
pp. 159-183(25)
Authors: McGettigan, Andrew; Shaw, Jon K.; Roberdeau,, Wood; Prendeville, Brendan; Goode, Lauren; Gerber, Marina

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