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You've been framed Disciplinary Frame: Photographic Truths and the Capture of Meaning, John Tagg (2009) Minneapolis, London: University of Minnesota Press, 392 pp., Hardback, ISBN 0816642877, 51.50, Paperback, ISBN 0816642885, 15.67

Becoming photographic Photography, Cinema, Memory: The Crystal Image of Time, Damian Sutton (2009) Minnesota, University of Minnesota Press, 296 pp., ISBN 9780816647392, Paperback, 15.50

The lure of the crime scene Lacan at the Scene, Henry Bond (2009) Cambridge, Mass.: MIT Press, 256 pp., ISBN 0262013428, Hardback, 14

Re rereading Camera Lucida Photography Degree Zero, Reflections on Roland Barthes's Camera Lucida, Geoffrey Batchen (ed.) (2009) Massachusetts: MIT Press, pp. 320, ISBN 026201358, Hardback, 22.95

Conference Report Humanising Photography, Durham Centre for Advanced Photography Studies (organized in partnership with Autograph ABP), 2527 September 2009

Document Type: Review Article

DOI: http://dx.doi.org/10.1386/pop.1.1.109/4

Affiliations: 1: University of East London. 2: University of Greenwich. 3: London South Bank University. 4: British Journal of Photography.

Publication date: March 1, 2010

More about this publication?
  • Philosophy of Photography is a new peer-reviewed journal devoted to the scholarly understanding of photography. It is not committed to any one notion of photography nor, indeed, to any particular philosophical approach. The purpose of the journal is to provide a forum for debate on theoretical issues arising from the historical, political, cultural, scientific and critical matrix of ideas, practices and techniques that may be said to constitute photography as a multifaceted form. In a contemporary context remarkable for its diversity and rate of change, the conjunction of the terms 'philosophy' and 'photography' in the journal's title is intended to act as a provocation to serious reflection on the ways in which existing and emergent photographic discourses might engage with and inform each other.
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