Shifting frames of reference, or what Maurizio Nichetti’s Ladri di saponette/The Icicle Thief can tell us about watching films on television
Abstract:Maurizio Nichetti’s comedy, Ladri di saponette/The Icicle Thief (1989) has been read as a mordant satire on commercial television and the world of consumerism it represents in late-1980s Italy. The context in which Nichetti’s cinema was originally created and consumed is examined here in some detail. This is followed by an analysis of how a new frame of reference (the television screening of the film on commercial UK television in the 1990s) impacted on this work and what this can tell us about spectatorship and the problematic intermedial relationship between film, television and advertising.
Document Type: Research Article
Publication date: March 3, 2003
More about this publication?
- The journal aims to provide a platform for the study of new forms of cinematic practice and fresh approaches to cinemas hitherto neglected in western scholarship. It particularly welcomes scholarship that does not take existing paradigms and theoretical conceptualisations as given; rather, it anticipates submissions that are refreshing in approach and exhibit a willingness to tackle cinematic practices that are still in the process of development into something new.
- Editorial Board
- Information for Authors
- Subscribe to this Title
- Ingenta Connect is not responsible for the content or availability of external websites