Free Content

Reflections on medium specificity occasioned by the symposium 'Digital Light: Technique, Technology, Creation', Melbourne, 2011

Authors: Cubitt, Sean1; Palmer, Daniel2; Walkling, Les3

Source: MIRAJ, Moving Image Review & Art Journal, Volume 1, Number 1, 23 January 2012 , pp. 37-49(13)

Publisher: Intellect

Buy & download fulltext article:

Free content The full text is free.

View now:
PDF 484.9kb 

Abstract:

Drawing on discussions at a symposium held in Melbourne in 2011, this article describes the reactions of artists, curators and software engineers to the varied transitions between analogue and digital media. The authors argue that both the 'post-medium condition' mooted by Krauss and the 'Death of Cinema' theses of film scholars like Rodowick and Mulvey miss critical issues in these transitions and over-emphasize others. We make the case that there are more continuities than often recognized between analogue and digital; that transitional forms like video have not been analysed sufficiently; that software studies needs to be backed up with hardware studies; and that there is a new role for mediumspecific criticism. We argue that, in the current state of digital resources for production, distribution and display, each work needs to be analysed in its specificity, rather than ascribing universal qualities to imaginary abstractions such as 'digital media'.

Keywords: Death of cinema; digital image; hybridity; medium specificity; technology

Document Type: Research Article

DOI: http://dx.doi.org/10.1386/miraj.1.1.37_1

Affiliations: 1: University of Southampton 2: Monash University, Melbourne 3: RMIT University, Melbourne

Publication date: January 23, 2012

More about this publication?
  • The Moving Image Review & Art Journal (MIRAJ) is the first international peer-reviewed scholarly publication devoted to artists' film and video, and its contexts. It offers a forum for debates surrounding all forms of artists' moving image and media artworks: films, video installations, expanded cinema, video performance, experimental documentaries, animations, and other screen-based works made by artists. MIRAJ aims to consolidate artists' moving image as a distinct area of study that bridges a number of disciplines, not limited to, but including art, film, and media.
  • Editorial Board
  • Information for Authors
  • Subscribe to this Title
  • ingentaconnect is not responsible for the content or availability of external websites
Related content

Tools

Key

Free Content
Free content
New Content
New content
Open Access Content
Open access content
Subscribed Content
Subscribed content
Free Trial Content
Free trial content

Text size:

A | A | A | A
Share this item with others: These icons link to social bookmarking sites where readers can share and discover new web pages. print icon Print this page
UA-1313315-26