Skip to main content

Free Content Reflections on medium specificity occasioned by the symposium 'Digital Light: Technique, Technology, Creation', Melbourne, 2011

Download Article:
 Download
(PDF 484.8642578125 kb)
 
Drawing on discussions at a symposium held in Melbourne in 2011, this article describes the reactions of artists, curators and software engineers to the varied transitions between analogue and digital media. The authors argue that both the 'post-medium condition' mooted by Krauss and the 'Death of Cinema' theses of film scholars like Rodowick and Mulvey miss critical issues in these transitions and over-emphasize others. We make the case that there are more continuities than often recognized between analogue and digital; that transitional forms like video have not been analysed sufficiently; that software studies needs to be backed up with hardware studies; and that there is a new role for mediumspecific criticism. We argue that, in the current state of digital resources for production, distribution and display, each work needs to be analysed in its specificity, rather than ascribing universal qualities to imaginary abstractions such as 'digital media'.
No References for this article.
No Supplementary Data.
No Data/Media
No Metrics

Keywords: Death of cinema; digital image; hybridity; medium specificity; technology

Document Type: Research Article

Affiliations: 1: University of Southampton 2: Monash University, Melbourne 3: RMIT University, Melbourne

Publication date: 2012-01-23

More about this publication?
  • The Moving Image Review & Art Journal (MIRAJ) is the first international peer-reviewed scholarly publication devoted to artists' film and video, and its contexts. It offers a forum for debates surrounding all forms of artists' moving image and media artworks: films, video installations, expanded cinema, video performance, experimental documentaries, animations, and other screen-based works made by artists. MIRAJ aims to consolidate artists' moving image as a distinct area of study that bridges a number of disciplines, not limited to, but including art, film, and media.
  • Editorial Board
  • Information for Authors
  • Subscribe to this Title
  • Ingenta Connect is not responsible for the content or availability of external websites
  • Access Key
  • Free content
  • Partial Free content
  • New content
  • Open access content
  • Partial Open access content
  • Subscribed content
  • Partial Subscribed content
  • Free trial content
UA-1313315-26
Cookie Policy
X
Cookie Policy
Ingenta Connect website makes use of cookies so as to keep track of data that you have filled in. I am Happy with this Find out more