Buhoneros' reggaetn: Emerging Venezuelan musical practices through mediations in the informal sociopolitical ecosystem
The following article explores the musical practices and communicating mediations carried out in each stage of the music industry's value chain in Venezuela, in order to observe the way those mediations influence the actors involved, determining the elements that both interact and define the Venezuelan's musical identity taking reggaetn (very broadly speaking, reggaetn is a Latinized derivative of Jamaican reggae, originating in Puerto Rico, via an interpretation of Panamanian reggae) as a case study. With this purpose, the research has used some empirical data and qualitative techniques, such as participants' observation, interviews and netnography, as well as quantitative data obtained from the main statistical sources in the country. After establishing the state of the art, the study raises a number of questions to be discussed: (a) the features reaffirmed through a transculturalization process mainly led by reggaetn in the Venezuelan's musical identity; (b) the creative uses the consumer has given to Information and Communication Technologies (ICTs) in order to participate in the new communicating dynamics on the Internet; and (c) the effects that content appropriations, mainly encouraged by the habits of the new Internet user or Venezuelan informal commerce, are having in the country's music industry.
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Document Type: Research Article
Affiliations: University of Mlaga, Spain.
Publication date: 2011-02-01
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