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Venice, Venice

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Venice Beach, Los Angeles and Little Venice, London provide the basis for a series of reflections that explore the way the city is hardwired into a collective imaginary. These very different reproductions of Venice share the underlying principles that correspond to the economic and ­political aspiration of the modern city: carnivality and staging; the hypnogogic dream space and travel; guild capitalism and spectatorship. The enduring references to Venice that exist at the heart of Los Angeles and London speak of a desire for the sovereign city state and reflect a wider move to a new feudalism that increasingly characterizes the western metropolis.
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Keywords: entertainment space; imago; parallel worlds; scripted space; sovereign city state; the copy

Document Type: Research Article

Affiliations: 1: Royal College of Art 2: California Institute of the Arts

Publication date: 01 May 2018

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  • The Journal of Writing in Creative Practice is the official organ of the Writing Purposefully in Art and Design (Writing PAD) network. It offers art and design institutions an arena in which to explore and develop the notion of thinking through writing as a parallel to visual discourse in art and design practice. The journal aims to extend the debates to all national and international higher educational art and design institutions.
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